Sound Reasons III - sound installations at Clark House, Bombay
Sound Reasons III in Mumbai presents sound installations by Marcus Maeder and Salome Voegelin from Switzerland and Farah Mulla and Ish S from India.
Sound Reasons is a record label and a festival for sound art and contemporary electronic music which promotes contemporary practitioners from Switzerland and India, amongst others. Sound Reasons started off as a record Label in 2009 releasing music and curating and organizing sound art installations and electronic music performances. These activities later diversified and amalgamated into the first edition of the Sound Reasons Festival in 2012, which featured influential artists, like Bernd Schurer and Jio Shimizu. At Sound Reasons praxis has always been the focus while exploring various mediums and processes like composing music, creating a festival and producing live performances and sound centric installations.
As a medium, sound art encompasses a number of activities and forms, such as sound installations, noise, radio art, experimental electro-acoustic music and music concrete, to name a few. Each of these forms has its own details and depths, and should be analyzed according to its own distinct aesthetics.
Here at Clark House Bombay, the installations presented cover a very important spectrum of sound art like the science/ art cross over work which presents the sonification and visualisation of very complex data from the trees so that they can be understood across another medium. There is also an the invocation of 'listening processes' here as some of the works have been initiated spatially as they explore the timeless continuum of the now and the becoming of an observer via sound. And in this becoming, the imagination becomes more important than the reality, the virtual more significant than the real. The fleeting experience of sounds and noise is the construct of the individual themselves and not of their histories and their cognitive developments. Part of the work develops spatially and its discovery unfolds itself in the present, bringing with it the experience of sound and listening.
3 to 7 June 2015 / 11:00 am - 7:00 pm daily.
Clark House Initiative
c/o RBT Group, Ground Floor, Clark House building, Colaba, 8 Nathalal Parekh Marg, Bombay
Contact: +919820213816 | info@clarkhouseinitiative.org
Salome Voegelin
5 METER CONDUIT
2 Headphones, Sound/ Music Player
Farah Mulla
AURAL MIRROR
Sound installation | 2 Speakers, Microphone, Computer
Marcus Maeder
TREES : PINUS SYLVESTRIS
2 Channel Video, 2 channel Audio, Touch Screen, Installation
Ish S (diFfuSed beats)
SITTING STILL
6 Channel Audio | Sound Sculpture
A three-day conference, Draft conceived by Khanabadosh, Bombay, and Institute for Contemporary Art Research (IFCAR), Zurich University of the Arts (ZHdK) is a year-long project that is anchored in nine cities across the world, and will engage with critical discourses and practices related to the public sphere.
www.draftprojects.info/
soundreasons.in
Sound Reasons III in Mumbai presents sound installations by Marcus Maeder and Salome Voegelin from Switzerland and Farah Mulla and Ish S from India.
Sound Reasons is a record label and a festival for sound art and contemporary electronic music which promotes contemporary practitioners from Switzerland and India, amongst others. Sound Reasons started off as a record Label in 2009 releasing music and curating and organizing sound art installations and electronic music performances. These activities later diversified and amalgamated into the first edition of the Sound Reasons Festival in 2012, which featured influential artists, like Bernd Schurer and Jio Shimizu. At Sound Reasons praxis has always been the focus while exploring various mediums and processes like composing music, creating a festival and producing live performances and sound centric installations.
As a medium, sound art encompasses a number of activities and forms, such as sound installations, noise, radio art, experimental electro-acoustic music and music concrete, to name a few. Each of these forms has its own details and depths, and should be analyzed according to its own distinct aesthetics.
Here at Clark House Bombay, the installations presented cover a very important spectrum of sound art like the science/ art cross over work which presents the sonification and visualisation of very complex data from the trees so that they can be understood across another medium. There is also an the invocation of 'listening processes' here as some of the works have been initiated spatially as they explore the timeless continuum of the now and the becoming of an observer via sound. And in this becoming, the imagination becomes more important than the reality, the virtual more significant than the real. The fleeting experience of sounds and noise is the construct of the individual themselves and not of their histories and their cognitive developments. Part of the work develops spatially and its discovery unfolds itself in the present, bringing with it the experience of sound and listening.
3 to 7 June 2015 / 11:00 am - 7:00 pm daily.
Clark House Initiative
c/o RBT Group, Ground Floor, Clark House building, Colaba, 8 Nathalal Parekh Marg, Bombay
Contact: +919820213816 | info@clarkhouseinitiative.org
Salome Voegelin
5 METER CONDUIT
2 Headphones, Sound/ Music Player
Farah Mulla
AURAL MIRROR
Sound installation | 2 Speakers, Microphone, Computer
Marcus Maeder
TREES : PINUS SYLVESTRIS
2 Channel Video, 2 channel Audio, Touch Screen, Installation
Ish S (diFfuSed beats)
SITTING STILL
6 Channel Audio | Sound Sculpture
A three-day conference, Draft conceived by Khanabadosh, Bombay, and Institute for Contemporary Art Research (IFCAR), Zurich University of the Arts (ZHdK) is a year-long project that is anchored in nine cities across the world, and will engage with critical discourses and practices related to the public sphere.
www.draftprojects.info/
soundreasons.in
No comments:
Post a Comment
Note: only a member of this blog may post a comment.